Asked if she composes or has considered performing opera, she shakes her head resolutely. Bahia, the birthplace of Veloso, Gil and younger stars such as Daniela Mercury, is also the cradle of Afro-Brazilian culture. But she is not averse to traveling and has even talked about living overseas, probably the United States, if the opportunity presents itself. And when I saw him come in, I got even more nervous. The voice hit Veloso like a force of nature: With easy Brazilian cordiality, she expressed wonder at how fast her career has moved since the moment five years ago when she spotted Veloso in the audience at the performance of the Olodum Theater, a popular theatrical group in Salvador. 
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With easy Brazilian cordiality, she expressed wonder at neggrume fast her career has moved since the moment five years ago when she spotted Veloso in the audience at the performance of the Olodum Theater, a popular theatrical group in Salvador.
Negrume Da Noite
Asked if she composes or has considered performing opera, she shakes her head resolutely. When I sing, I feel as if I am singing with the gods. She complains that her upcoming tour will not give her time to see much more than airports, hotels and concert halls. Catholicism, Protestantism and, most recently, Candomble, the Afro-Brazilian religion that is shedding its shackles noife centuries of repression.
Facebook Twitter Show more sharing options Share Close extra sharing options. She dreams of a trip devoted solely to exploring U. And I believe a great deal in the black movement. That familiarity began, in large part, with Carmen Miranda, a talented singer who va known in the U.
The voice hit Veloso like a force of nature: Beneath her unassuming exterior is a tough-minded professional with a clear sense of direction. Finally I had to come down off the stage and dance with her.
Virginia Rodrigues performs Wednesday at 8 p. The singer was Virginia Rodrigues, the daughter of a market vendor from a poor neighborhood. With the return to democracy inBrazilian music flowered once again.
Her ascent out of anonymity has become a classic story that reaffirms the role of the state of Bahia as a musical treasure trove. But the top of the pantheon is reserved nfgrume a classical diva.
Brazil’s Force of Nature
She delights in the enthusiastic reception. About the enormous inequality in this country. If her rise continues at the same pace, Rodrigues seems destined to become the latest ambassador of Bahian and Brazilian music. She does not use vibrato. hegrume
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In the United States, France and elsewhere, she notes with pleasure that the composition of the audience often reflects the extent of the African diaspora. As Veloso points out, Rodrigues sounds far more polished and refined than seems possible given her modest training. One night about five years ago, legendary Brazilian singer-composer Caetano Veloso attended a dress rehearsal of a theater group in his native city of Salvador de Bahia.
Veloso, Gil, Milton Nascimento and others. Rodrigues and Veloso did months of research of Carnaval music in order to assemble the selections. Bahia, the birthplace of Veloso, Gil and younger stars such as Daniela Mercury, is also the cradle of Afro-Brazilian culture.
The first album brought together an impressive collection of heavyweight guest stars: She was an unknown who sang at weddings and worked as a manicurist to support her fledgling musical career.
Her voice resonates with echoes of the church choirs and religions that have shaped her life and art: One of the actors was a stout, young black woman who had no lines and moved solemnly and ponderously about the stage. This year, her performances will be backed by a five-man group featuring two drummers, acoustic bass and guitar and a viola.
About the condition of the Brazilian people. But she is not averse to traveling and has even talked about living overseas, probably the United States, if the opportunity presents itself. Rodrigues still lives ra Bahia and speaks lovingly of her roots there.
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